Wednesday, December 30, 2015
Wow a post so soon after the last one! Well it's kinda a continuation on the last post in the sense that I immeadetly witnessed that every time you start fresh and it sucks.
It was a bad drawing day to say it simply but I think it was a combination of being tired, lacking focus and the fact that it felt like my left brain was fighting with the right. On the other hand I was like "yeaaa I'll just whip this thing on the paper boom!" but also on the other hand "wait wait, hold on now for one darn minute. Put down the main line, directional axis, weight, boxes etc etc and use what you've just been studying". The end result being something in the middle and not really using in the end the half ass construction shit I'd put down. Thinking too much and that froze me up and I could barely get the 5 minute poses done.
Oh well, even if it was a struggle, it was fun to use 20 year old felt pens of mine which barely gave any colour and thus slowed me down a bit but threw me off to try something a bit different maybe. Which was nice.
Monday, December 28, 2015
Haven't posted in a while but that doesn't mean I've been totally idle with drawing. Indeed I have been doing life drawing again and I should consider renaming this accordingly 'cause it seems those are about the only things I post here...
But I must say (and a lot of professionals and artist veterans agree) that life drawing really is the best drawing training you can have. Observations and lessons learned can be applied to so many other subject matters, styles etc.
I'm gonna post a lot of stuff now and in a way the chronological order might be interesting because I really have realized that "Janne K, you know nothing". One must unlearn to learn and nothing is better than throwing yourself off balance to maybe be able to shake of some mannerisms and stylistic shorthands that prevent you from seeing things and from being downright lazy.
We organized recently through the Animatricks animation festival a life drawings course from the perspective of animation. We were fortunate to have Samantha Youssef giving us a lecture for 2 days that somewhat differs from traditional life drawing. It was very inspiring, eye opening and also depressing in the way that I realized how much I have to learn. The latter is obvious for everybody. I just thought that I had some touch for it but the fact is that I was gettin too content with the way I was drawing from life. I wasn't looking carefully enough. I was doing too much just to achieve a fun line or graphically interesting picture and neglecting lessons in front of me about actual anatomy, volumes and sense of direction etc.
So what I'll post here is now before the lessons, sketches from the lessons and then from a life drawing session after the lessons. Starting from the topmost drawing (click for bigger view):
The first drawings also are another example on how switching the medium makes you rethink and struggle. I hadn't drawn with charcoal in many years and I was completely lost for a moment with the medium on how to take advantage of it and what is useless to try with it etc. Then I also just switched to pencil and I was drawing like before, just drawing quickly how I saw the pose, volumes etc but really doing too much of contour drawing and playing around stylistically.
BUT nothing comes for free so it'll just mean more and more life drawing to get better at it and after all if the day comes that I'd feel that "yeah Janne K now you know your shit" then it's time to take another lesson and forget all those foolish thoughts that just prevent you from being an artist stuck in a groove.